Wilford Warfstache (
cottoncandypink) wrote2018-12-01 08:35 pm
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Tess
The door opens to Wilford's dressing room. The blue walls are decorated with framed vintage movie posters, opening up for a vanity that doesn't look like it's been used since Wilford moved into the building. Along the exterior brick wall is where Wilford's set up his office, with a few shelves and filing cabinets behind the massive desk. The other side of the room is more of a lounge, with a black leather sofa and matching chair, and a smudged up glass coffee table that shows evidence of small, sticky hands.
Wilford closes the door behind them, only to open it again to reveal the large closet where he keeps several other guns. He stores the rifle in with the rest, making sure the door is locked so the nosy little toddler can't find his way in.
Beyond the door leading to the hall, people are obviously coming and going. Someone's having a heated argument, but the soundproofing in the building is heavy enough that nothing specific can be made out.
Now that there's signal, Wilford pulls out his phone to check the traffic report. Wilford sighs. "Someone dropped a yacht on the beltway," he says.
His phone isn't buzzing with missed texts though, so he's hoping it happened after Andy got past that point.
Wilford closes the door behind them, only to open it again to reveal the large closet where he keeps several other guns. He stores the rifle in with the rest, making sure the door is locked so the nosy little toddler can't find his way in.
Beyond the door leading to the hall, people are obviously coming and going. Someone's having a heated argument, but the soundproofing in the building is heavy enough that nothing specific can be made out.
Now that there's signal, Wilford pulls out his phone to check the traffic report. Wilford sighs. "Someone dropped a yacht on the beltway," he says.
His phone isn't buzzing with missed texts though, so he's hoping it happened after Andy got past that point.
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It's squishy, and dripping.
Luckily, Wilford is close on hand with some wet wipes.
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"I don't think dinosaurs ate potatoes."
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For a second, Wilford almost has something to say about that, but he decides to leave it. He'll deal with disappearing crayons later, but not so much later that they appear on his walls first.
"Ba ba ba ba ba ba."
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"Ba ba ba ba," Michael says.
He pulls out a handful of soggy, mouldy crackers. Before he can even hand it over, Wilford rushes in to get it into the trash, and to scrub Michael's hands with one of the wet wipes.
"The hell is wrong with you?" he asks.
Michael is torn between trying to flee, and cackling. Something about this situation is clearly hilarious.
"Yeah, real funny," Wilford agrees, finally letting him go. Gross. He tosses the wipe into the trash, and takes the whole thing out to the hall so it doesn't stink up his room.
"That should be the last of it. I don't think he has that much room."
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The rest she looks slightly amused at as well.
"You act like a mess is the worst thing in the world."
She understands not wanting to clean them up all the time, but it's to be expected.
The dinosaurs are held out to the boy and she makes more noises for them.
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He's lived alone his entire life. No messes, no trouble, everything exactly where he wants it, as he wants it.
When Tess starts making noises, Michael forgets all about making Wilford grumpy.
"Ba ba ba ba!" he shouts back.
"That's all he says," Wilford says. "We've had a few flukes, but I think that's all it was."
He goes to pick up the backpack, to see what was packed along with the kid. It probably needs to be emptied out and thrown in the wash just for good measure.
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"You need to reward the flukes and continue to speak to him normally. Teach him the proper words for things. Have you got him a speech therapist?"
She assumes yes, but it doesn't hurt to ask.
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Even with Wilford's extremely limited experience with his friends' children, he knows that was all kinds of too late.
"He told Teja to fuck off once." Or something similar. 'Fuck' was definitely the key component to whatever Michael had said. Wilford was too busy laughing to even consider how to appropriately handle that.
"You ready, pipsqueak?" he says to Michael. "Get your friends. Let's go."
"Ba ba ba ba," says Michael as he starts carefully picking up his toys one by one and putting them back into his inventory.
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"Is he eating all right now?"
Then she smiles back down at Michael again.
"He knows what you're saying, at least. That's a good sign."
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When Michael's done packing away all his toys, he trots over to Wilford, only to shy away before he can be picked up. He deliberates very carefully on the situation at hand before deciding he'd rather go with Tess.
"He'll punch you in the face. Watch out," Wilford warns.
They've been working on that too, but apparently tiny minds can only handle learning so many new concepts at once.
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She holds out a hand to Michael, curious to see what he'll do.
"I've been punched in the face before, but the warning is appreciated."
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"Yeah, everyone we've talked to so far says it's environmental. His shrink says he'll probably be behind for a while, but once he starts to catch up he should do it in a hurry."
If Wilford sounds a little relieved over that, it's because he is. There are enough psychological skeletons in his closet without adding more.
He barely makes it two steps out of his dressing room before getting an odd look from someone Tess may have seen around the bar. Wilford waves Nichola off, ignoring whatever she might be speculating right now.
Beyond Wilford's dressing room, the studio takes on a vastly different appearance. It's clear he's not in one of the main studios in town, but shunted off to one of the smaller ones reserved for lower-budget shows. The carpets are a mess, it's loud, and there are definitely some plastered-over bullet holes in one of the walls. His dressing room has only been kept nice because he's put effort into keeping it that way.
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It's not quite what she expected, but then this is the kind of place that likes to surprise.
"That's a promising prognosis." She boops Michael's nose. "See? Just keep working hard and you'll be fine."
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"Put it away, or I will," Wilford warns, not even in the mood for this game right now.
Michael holds the dinosaur to his chest, but doesn't put it away.
"Give it to me."
The dinosaur disappears. He's not in the mood for this game either, but it's also a game he never wins, so he moves on.
It's a quick walk out to the parking lot. The weather would almost be pleasant — sunny and warm — if not for the fires of Mt Doom raging off in the distance and filling the already smog-choked air with smoke. He leads the way to a big, black luxury sedan out in the parking lot. Like most of the cars in town, it shows evidence of traffic battles, but nothing he's felt worth taking it into the shop over. He unlocks it and tosses the bag into the back seat.
While the front of the car is just as clean and tidy as his dressing room was, the back... well, the back is obviously used to transport dogs and a small child. Nothing's been trashed, necessarily, but it sure isn't clean.
"We should just miss the dinner rush if nobody's messing around on the highway," he says, taking Michael to strap him into his seat in the back.
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The smoke and smog is unexpected and she coughs a few times, waving her hand at the air around her. She's grateful to be ending up in a sedan, child and dog mess be damned. Her clothes will dryclean.
"Where are we headed to?"
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"My restaurant. Out in Del Perro," he says getting into the car. He turns on the AC as soon as the engine is running, since even in the winter a big, black car tends to turn into an oven. "Get him fed and make sure nobody's burned the place down. I get the feeling his mom only fed him when they were out of the house, since that was the only time I could get him to eat anything for a while."
Michael's getting better at it, but he still fusses and whines sometimes. From the back seat, he still keeps making his noise to himself.
Wilford leaves the parking lot, almost forgetting that he can't take the beltway. At the last moment, he changes his mind to take a left instead.
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Not that she doesn't have enough on her plate already.
"Does he like it there?"
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Rush hour traffic is already in full-force. Which is to say that it would be total gridlock, if lanes meant anything to the average Los Santos driver. Three cars in front of them decide that the sidewalk is a perfectly acceptable right-turn lane. Wilford just looks bored.
"I don't think he cares where he is either way. I think he just likes being included."
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Traffic is why she prefers to travel by helicopter. Or at least have a ton of work to do while her driver handles the car.
"Sociability is important. I never really got that part."
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"Yeah, we're working on that too. He's fine around older kids, but the ones closer to his age freak him out like you've never seen."
He leans on the horn as someone decides to start backing up right in front of him. For a long moment, it seems like the driver doesn't realise anything's wrong, but he finally stops before he backs into them.
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If Michael's anything he's an attention freak.
Then the car stops right in front of them.
"Jesus. How does anyone survive here?"
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A few more quick honks convinces the idiot in front of them to actually put his car into the correct gear and get going.
"You don't have rush hour where you live?" he asks, while Michael starts shouting in the back seat.
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"We do, it's just not like this." Again, helicopters. She wouldn't really know.
"Hey, kiddo. It's okay. We're going to get there soon."
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Speaking of helicopters, there's a bunch buzzing around up in the air. Whether they're watching chaos or causing it isn't clear.
"We do this every day, don't we runt?" Wilford says.
Michael shouts something that sounds an awful lot like 'fucking business.' Wilford knows he's not supposed to laugh, but boy is it hard.
"No, we tell them to learn to drive." He's barely holding it together.
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